Contour.
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Editorial close-up: model with sculpted skin, closed eyes, architectural highlight and shadow — final look by Contour makeup artistry
Makeup Artistry
Contour
Vogue USEditorial·
i-D MagazineEditorial·
Harper's BazaarEditorial·
Valentino NYFWRunway·
A24 FilmsFilm·
HBO OriginalFilm·
W MagazineEditorial·
Prabal GurungRunway·
Condé NastPress·
Paris Fashion WeekRunway·
Vogue USEditorial·
i-D MagazineEditorial·
Harper's BazaarEditorial·
Valentino NYFWRunway·
A24 FilmsFilm·
HBO OriginalFilm·
W MagazineEditorial·
Prabal GurungRunway·
Condé NastPress·
Paris Fashion WeekRunway·

The Work
Speaks.

Bride with luminous skin, soft champagne eye and defined brow, golden veil catching light
Bridal

Golden Hour

Priya & Arjun

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Model with sculptural graphic liner, bare skin, architectural cheekbone highlight
Editorial

Raw Geometry

Vogue US — March Cover

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Runway model with matte porcelain skin, graphic red lip, hair slicked — backstage NYFW
Runway

Backstage: 12 Faces

NYFW — Valentino RTW

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Actress in period-drama look — hand-laid brows, skin with intentional texture, period-accurate lip
Film

Continuity: 18 Days

A24 Feature — "Meridian"

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Bride with sun-kissed natural glow, soft bronze eye, olive-toned skin in outdoor Tuscany light
Bridal

The Long Weekend

Claire & Thomas — Tuscany

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Model close-up: extreme skin texture study, dewy glass skin with freckle-enhancement and zero-coverage philosophy
Editorial

Skin Study No. 7

i-D Magazine — Beauty Issue

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Runway model with abstract color-blocking makeup — geometric pigment shapes on face, architectural
Runway

Pigment Architecture

Paris Fashion Week — Independent

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Actress in aging character makeup — subtle age progression, natural-looking texture and depth
Film

The Aging Arc

HBO Limited Series — "Solstice"

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Makeup artist at work — close-up of brush application on model's cheekbone, editorial setting

Light, Shadow,
Architecture.

Based in New York. Available worldwide. Trained under editorial veterans at MAC Pro and L'Oréal Paris before going independent in 2019.

The philosophy is simple: a face is a structure, and makeup is how you direct the light that hits it. Whether it's a bride who needs to cry without losing her liner or a production team that needs 12 identical faces by 6 AM — the answer is always preparation, precision, and a kit that has every contingency covered.

8+

Years Experience

340+

Weddings

60+

Editorial Shoots

12

Max Faces / 4hr Call

Let's Build
Something
Impossible.

Bridal suites, studio sets, backstage call times, location shoots at altitude. If the brief is specific and the stakes are real, that's the work.

Client 1
Client 2
Client 3

340+ Brides & Counting